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・ Robert Thomson Leiper
・ Robert Thomson Melrose
・ Robert Thorburn
・ Robert Thorn
・ Robert Thornby
・ Robert Thorndike
・ Robert Thorne
・ Robert Thorne (cricketer)
・ Robert Thorne (typographer)
・ Robert Tayler (cricketer)
・ Robert Taylor
・ Robert Taylor (actor)
・ Robert Taylor (animator)
・ Robert Taylor (Archdeacon of Lewes)
・ Robert Taylor (architect)
Robert Taylor (artist)
・ Robert Taylor (Australian actor)
・ Robert Taylor (Australian businessman)
・ Robert Taylor (British Army officer)
・ Robert Taylor (computer scientist)
・ Robert Taylor (congressman)
・ Robert Taylor (Conservative politician)
・ Robert Taylor (cricketer)
・ Robert Taylor (cricketer, born 1989)
・ Robert Taylor (engineer)
・ Robert Taylor (footballer)
・ Robert Taylor (Labour politician)
・ Robert Taylor (Provost of Cumbrae)
・ Robert Taylor (Radical)
・ Robert Taylor (rugby league)


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Robert Taylor (artist) : ウィキペディア英語版
Robert Taylor (artist)

Robert Taylor is a self-taught Oklahoma artist of Native American descent whose symbolic paintings challenge the notion that Indian art should adhere to any one style. His work is best known for his usage of iconic symbols and manipulation of proportion seen often in the hands and feet.
==Early life==
Robert Taylor was born in Tulsa, OK in 1951 and lived there his entire life, other than his time in the Navy starting in 1970. Some of Taylor's earliest inspiration came from his family. His maternal grandfather exposed him to Native traditions by taking him to powwows and his maternal uncle was a well-known wildlife painter. Taylor graduated from Will Rogers High School in 1969, where he played baseball and football. He went on a sports scholarship to Central Missouri State in Warrensburg, Missouri for a short time until he was injured during the first semester. He dropped out of Central Missouri State to transfer to Tulsa University but was drafted before he completed the move. Taylor was in the Navy from 1970 to 1972.
After he got out of the Navy, Taylor began pursuing art. He began with a more traditional style but was influenced by an exhibition of Paul Pletka’s work as well as John Bigger.

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